Dealers, curators, collectors and other art market agents – Part 2
Chair: Gerard Vaughan (University of Melbourne)
Panellists: Flavia De Nicola (The Catholic University of America, Rome), Alice Martignon (Ca’ Foscari University of Venice), Dorothee Wimmer (Centre for Art Market Studies at Technische Universität Berlin), Sina Knopf (University of Zurich)
Diasporic and globally dispersed art markets
Chair: Anne Dunlop (University of Melbourne)
Panellists: Gloria Guirao Soro (Université Paris 8 and Universitat de Barcelona), Chenchen Zhu (University of Amsterdam), Shen Qu (Arizona State University, Tempe), Tsukasa Kodera (Osaka University)
Biennales, art fairs and the circulation of art across art world networks
Chair: Adelaide Duarte (Universidade NOVA de Lisboa) and Marta Pérez-Ibáñez (Universidad Francisco de Vitoria, Madrid)
Panellists: Stefano Baia Curioni (Università Bocconi, Milan), Laura Forti (Università Bocconi, Milan), and Giada Pellicari (IULM University, Milan), Ginevra Addis (Università degli Studi di Milano Bicocca), Elisa Consentino (Viasaterna Gallery, Milan), and Sarah Hibbs (RMIT University, Melbourne)
Art markets in the digital realm
Chair: Christopher R. Marshall (University of Melbourne)
Panellists: Kristijan Poljanec (University of Zagreb), Georgia Gerson (University of York), Zoran Poposki (The Education University of Hong Kong)
Ethics and art markets across media
Chairs: Alicja Jagielska Burduk (University of Opole, Poland and UNITWIN Culture in Emergencies) and Ana Filipa Vrdoljak (University of Technology, Sydney)
Panellists: Ana Filipa Vrdoljak (University of Technology, Sydney), Alicja Jagielska Burduk (University of Opole, Poland and UNITWIN Culture in Emergencies), Claudia S. Quinones Vila (Canvas Art Law, London), Federica Aramu (Université libre de Bruxelles), Anne-Sophie Radermecker (Université libre de Bruxelles), Alessia Crotta (Université libre de Bruxelles), Anne-Sophie Radermecker (Université libre de Bruxelles)
Intangible art markets
Chair: Kim Oosterlinck (Royal Museums of Fine Arts of Belgium and Co-Chair TIAMSA)
Panellists: Yuqing Song (Université libre de Bruxelles), Marie Blum (IESEG School of Management, Lille), Suzie (Jiaxin) Liu and Ruth Rentschler (University of South Australia, Adelaide), Rafaelle Hassine (EHESS & LAS [Collège de France, CNRS, EHESS], Paris)
Dealers, curators, collectors and other art market agents – Part 1
Chair: Alison Inglis (University of Melbourne)
Panellists: Julie Codell (Arizona State University,Tempe), Michael Moignard (La Trobe University, Melbourne), Jenny Beatriz Quijano Martinez (University of Melbourne), Xiang Wang (Central Academy of Fine Arts, Beijing)
Donors, philanthropists and private museums
Chair: Georgina S. Walker (University of Melbourne)
Panellists: Fiona Menzies (Former CEO of Creative Partnerships Australia), Shireen Atassi (Atassi Foundation, Dubai), Bianca Tinoco (University of Brasília), Jarrod Haberfield (University of Melbourne), Johannes Aengenheyster (University of Amsterdam)
Actors, agency and self-determination: Artists negotiating shifting artworlds
Chair: Jane Eckett (University of Melbourne)
Panellists: Paul Albert (George Mason University, Fairfax, VA), Bronwyn Coate (RMIT University, Melbourne) and Douglas Hodgson (Université du Québec à Montréal), Jaynie Anderson (University of Melbourne), Matilde Ferrero (Università Magna Graecia di Catanzaro), Elena Abbate (Exo Art Lab, Turin), and Michele Trimarchi (Università Magna Graecia di Catanzaro)
Auctions and the secondary market
Chair: Kathryn Brown (Loughborough University)
Panellists: Chandrika Acharya (Heidelberg University), Kathryn Brown (Loughborough University), Shatavisha Mustafi (UPES, Dehradun)
Sotheby’s Institute of Art Co-Sponsored Panel session: Contemporary art and the South Korean art market
Catherine Chiang (Frieze Seoul), Seokho Brian Jeong (Art Busan), Shinwook Kim (Artist/Kyungil University, Korea), Yewon Kim (White Cube, London) and Moon-seok Yi (Independent curator) in conversation with Gareth Fletcher (Sotheby’s Institute of Art, London)
Art and value – Part 2
Chair: Terry Smith (University of Pittsburgh)
Panellists: Jeni Fulton (Art Basel, Zurich University of the Arts), Olav Velthuis (University of Amsterdam), Michael Hutter (WZB Berlin Social Science Centre), David Throsby (Macquarie University, Sydney)
Women and the art market
Chairs: Véronique Chagnon-Burke (Co-Founder of Women Art Dealers Digital Archives & Co-Chair TIAMSA) and Christopher R. Marshall (University of Melbourne)
Panellists: Véronique Chagnon-Burke (Co-Founder of Women Art Dealers Digital Archives & Co-Chair TIAMSA) and Sylvie Tersen (Independent scholar), Christopher R. Marshall (University of Melbourne), Adelina Modesti (University of Melbourne), Anne Rothfeld (Independent scholar)
Art and value – Part 1
Chair: Terry Smith (University of Pittsburgh)
Panellists: Terry Smith (University of Pittsburgh), Laura Noll (University of Zurich), Clarissa Ricci (University of Bologna), Ashley Lee Wong (The Chinese University of Hong Kong)
Museums, provenance and the art market
Chair: Heather Gaunt (University of Melbourne)
Panellists: Manuela Ciotti (University of Vienna), Gayathri Iyer (The Jawaharlal University, New Delhi), Kara Kaifang Ma and Chen Shen (University of Toronto), Emily Peacock (University of Maastricht)
First Nations and the art market
Chair: Vanessa Merlino (D’Lan Contemporary)
Panellists: Helena Oliveira (Ca’ Foscari University of Venice), Jane Eckett (University of Melbourne), Arjmand Aziz (University of London), Marion Bertin (Université Paris 1 Panthéon-Sorbonne)
Multiple art markets across diverse artworlds
Chair: Su Baker (University of Melbourne).
Panellists: Huixian Dong (Arizona State University, Tempe); Yuka Kadoi (University of Vienna); Ana Paula Moreno (FGV - Fundação Getúlio Vargas, São Paulo); Elzbieta Sklodowska (Washington University in Saint Louis)
Keynote: Blak Lik Me by Franchesca Cubillo, Executive Director, First Nations Arts and Culture, Creative Australia
The First Nations arts industry has grown exponentially – locally and globally – through self-determination. Critical to this growth is First Nations leadership within the Australia Council for the Arts, now Creative Australia, with the establishment of the First Nations-led Arts Board. Aboriginal and Torres Strait Islander artworks generate substantial economic value. In 2019–20 $250 million was generated through the sale of Aboriginal and Torres Strait Islander visual arts and crafts alone.
But who is making the money and holds the power now?